The lilies were excitable, giddy somewhere in a shop and hands prepared them, their stamen snipped away, no pollen stains today, they whispered, somehow as if they knew.
And later they lay looking up at the kitchen ceiling, primed and buzzing like the day, tingling heady at their edges and they waited, perfumed and still.
Until they jiggled as the car pulled away, soft petals in a silver cloud, in the safety of the boot and up the hill and far away.
And they were ready, they were pinched in, secured with satin bows, biding their time to shine.
Then daylight flooded into them, as if to say fill yourself up and drink it all in. And they were lifted out with care, in all their colours, their rose malmaison, in their vermillon swirls. Taffeta embraced them with its cool champagne folds brushing against their leaves.
In the hush and murmurs, in the dust particles dancing, they were secure. With strong stems and frills of fragile verve, they made their way. Photons caught them, turned their brightness up to full saturation and everyone watched, as though they saw their own lives in the petals, their own beauty, their own sense of time.
And moments passed, planets turned and stars imploded.
Then back out into delerious sunlight, and the lilies were lifted high, thrust into the sky with shrieking, as if to say, this – this moment now and look at my glorious colours and always breathe me in.
These seconds of the magnificence, right here, right now. Forever gazing at the stars, outside of time.
Of Course, it rained back then and it’s raining now. It doesn’t help. So, I’ll think about maths instead. And if I were a mathematician, I’d talk about my Universal Set and it would be labelled with the 14th letter of the Greek alphabet, ξ, called Xi (pronounced zai or ‘ksai).
And I would draw on my page with a black pen and I would sketch out the overlapping circles, two of them, and call then A and B. It would be simple, clean and organised, unlike the chaos in my mind. Still, if I were a mathematician, I would control this. And A would be the set of a mother and B would be the set of a husband and I would represent them thus,
A = {Mother}
B = {Husband}
And I would consider each set with their myriad features of all the moments from our world, then they would overlap. And to be honest if I were a mathematician, it would be in the act of overlapping, where I’d find the greatest ease and I would be thankful. I would be grateful that I could simply label it as the intersection between A and B and I would represent it thus,
A∩B = {Loss}
It is much easier to compartmentalise the world in terms of number, to think with logic and use rigor every day and I would sit back in my swivel chair, chew on the end of my pen and admire my work. Overlapping circles, that is all, just some lines on a page to represent a world. And if I were a mathematician, I would say,
and hence, let us consider the union of A with B, and I would label it thus,
A ∪ B = {Qualities, values, beliefs}
And letters would represent the bedrock and catalyst in my world. And I would say, and thus, A and B are subsets of the Universal Set, both distinct from each other yet similar in their impact on my world and the overlap in the middle is the places where they merged.
And if I were a mathematician, I would I look at the Universal Set and label it thus,
ξ = {Love}
Life would be so much easier if I were a mathematician.
But, it’s still raining out there and if I were a writer, I’d say, my clouds know just what to do.
We sat on the plastic chairs in the space where the Social Club used to be, just to the right of the fire door and we sat in the smell of new lino and watched the people come and go.
We watched the eyes, blinking above masks, behind blue screens and tables. We sat and waited for our timers to go off, to release us from the place where the toddlers used to play. We looked out to where they trundled on tricycles, scuffed their feet along the floor. To where they squealed and giggled. And there, just metres from where we sat, through a shimmering which no one else could see, I saw myself.
I saw our toddler charging up towards us, fresh from Santa’s side, cheap gift wrapped in the thinnest of paper and he beamed. He grinned under plastic antlers, with cheeks, pink from the heat of fake fur. And our three year old chattered, dressed from the Nativity, unbounded in his world.
And as we stood by the Community Centre notice board, I saw through a shimmering which no one else could see, and I saw my older self with our grown-up son. We sat on plastic chairs in the place where the Social Club used to be. Wishing for new antibodies and waiting to creep back out into our world.
And as we left I reached out through a shimmering, which no one else could see, I walked past my younger self and squeezed her arm.
Just to the side of the Cathedral, the daffodils returned into their buds, the froth of blossom retreated and folded itself away like a timid creature hiding from the light.
They stood amongst it on the hillock for a while then walked backwards, her ivory taffeta pulling her into the lobby, flooding upwards over stairs and steps. It tugged at her as like an eager child. And inside faces mingled, people rushed away. Someone watched as they clambered back into the car, as they smothered her in silk and they reversed away.
Backwards through streets they knew, past the Guildhall and away, back out and up the narrow lanes and strangers waved. Trees swayed heavy, as they drove, petals unleashed themselves from pavements and fluttered up to stick themselves to branches as though they’d never left, as though they’d always be connected to the twigs and not let go.
And roads unfurled before as they reversed back out of town. Round the bends where sheep waddled, where dogs ran away from the flock and in the dip, past the pub on their right now, the car slowed and turned a hard left.
The church gates arrived to their side, scattering people, tin cans bundled up and rattled as they stopped. Someone suited, smiled and poured the taffeta, drained the pool of ivory from around her, until it soaked the pavements.
Hands pulled away from them and as birds hurtled, startled back into the trees, confetti murmured in the air, throwing rainbows whisps and swirls back into the grab of hands. It leapt from her hair, from her train and burst up from his collar, from his dress-suit as they weaved along the path back to the door.
Flowers lifted up, bobbed and nodded and beneath the archway with her bouquet held high like she’d just won the cup, people shuffled and swallowed their words.
Her dress brushed the slate, slinking, reeling her back in and up the slight step at the front. Relatives in unison, like toy soldiers playing a game, ushering them round the back to where they all took turns to watch the fountain pen suck ink.
And then clouds of her swished backwards as though the alter itself held a force. And hand-clutching-heels-clicking they reduced themselves back to the step.
And stood face to face in the hush.
Dust hung in the air as it did, as it does, particles dithering and faffing in the shafts, diamond lights around their heads and they looked up.
And so, I watch my finger tap and move across the screen. I count in seconds. And so it goes, one moment merged into the next. I’m trying to find my way through this bracken, through these weeds and thorns. I push ahead. It’s quiet. only the robin knows I’m here and he understands me.
I’m muddled in-between loss and time, in-between memory and now. I try to makes sense of it all.
And here it comes, that sense that the universe reflects me, that mirror outside my door. I’m perched. I’m high up somewhere, somewhere cold yet warm enough for me. My long cape will scrape the earth, disturbing stones as I climb. And yes, my feet bleed into the soil but it’s a good loss, a purging somehow. Giving blood back to the soil. And then I sit.
I’ve been here before, high up overseeing the land, my land, the place we built upon and here and there through the spheres of teardrops I see our world turned upside down. Our boy and I on the hill that we built with our hands.
The clock ticks round. It counts in thousands now, eighty-seven of them and six hundred more but it means nothing. It’s a construct, a passing of weather, of seasons, of my body changing and our boy turning into a man.
The minutes are randomised up here, every possible second remaining on our probabilistic hill. And here we sit on the top looking back, looking down. We Made This. We call out, we shout it out into the clouds. Ravens catch it on their wings and take it higher. Their black rainbows glinting in the sun.
I remember this place, this bench at the start, the dog walkers, the litter eddies fluttering by the bin and pigeon shit on the picnic table. Even that was shaped in black and white, the residue of food, expelled into the air and landed just for me to notice on my own. It had dried to form a Tao symbol and I smiled and wandered on.
And I’m pulled, jostled as though waking from a dream to see our land now and how many losses have been carved out in people since our own? How strange it seems now to have walked and spoken to strangers back then, no masks in sight, no fear of breathing on each other and we could hug and they’d take my hand.
How removed it all seems now, removed from ourselves. That sense of severing. I sit here as vaccines are pumped into muscles, as charts change and people hope. And there’s that sense that we will come through this, that we’ll lift each other up in our arms and twirl around. I can feel it, that craving for how it used to be. To have it all back again.
And yet if there’s one thing this decade has taught me, it’s to let go of the linear and any sense that what we had will phase back in again and return.
Call it a new normal if you choose but like the hundreds of thousands of losses that bind us to each other now, this is not something that fades. It’s etched into who we are, into a generation now, into our psyche, into our souls.
I remember last spring and that sense that maybe, in a month or two, it would be behind us. Like queries from the un-widowed, hoping, questioning and do you feel better now? That sense that this will heal like a break, like the dull ache after the snap of bone. And they’ll say, oh look she walks with a limp now, but they won’t feel it, they can’t feel how the limb has been changed on a molecular level, the scar-knitting-collagen-weaving permanent change to your form.
And I wonder how we’ll move from this? I crave that the sense of solidarity which we felt, that dazed and disoriented need to connect, will remain. Don’t let it seep away, to be forgotten, to just be the Year That We Wore Masks. Let it open us up, break us out of our stale paradigms, our tiny fearful islands. Let this be our chance to focus on the universal self behind the form and the foolish idea that we are separate in any way.
And I pause. A blackbird winks at me, comes close but won’t cross the line. My outstretched palm is a step too far. He’s found a worm, he’ll be just fine.
The hands have moved around while I tap and I come back to time yet again.
I’m left with the sense that nothing is as it seems. That I live on a Mobius strip somehow looping and doubling back on myself. I am inside and outside of time in one breath, I am fluid, I’m here and there. And if I have a point (she often has no point, it’s part of her charm*) it’s this. I used to be time based, I’d be linear and I’d have plans. but then loss swoops in and caws, circles round and says no more. Who wants to be linear anyway, where life is predicable like it used to be? Now we float and flip, thither-zither in the air. Murmurations cut the sky, 87,600 birds, ripple, shimmer, dancing black. I wave to them from the hill that we made, they tip their wings to us in respect.
So I remain in the tangle of my quantum mind, both then and now, a superposition of me. I am Schrödinger’s girl; a wife and widow and it’s not till I notice my thoughts that I find out which one I am.
I know you, Pandemic, I see what you’re doing out there. I know your ways, I think.
And I wonder if I stare it down, if I look it straight in the face, it will feel easier? I’ve personified the chaos, in a feeble attempt at agency and my thoughts remind me of dealing with the Grief Monster in sudden widowhood, how the creation of a creature seemed to give us some sense of control.
I have been quiet for a few weeks now, while this new monster rages. I’ve been biding my time, allowing my thoughts to simmer. I worried, (I’m good at that,) that maybe I had nothing to say, no way to express my thoughts of the unfolding trauma. But it seems I was wrong; I was just dazed into numbness by the events. Of course, I’m used to being dazed, I’m used to the lockdown in my head when critical mass is reached and I switch off.
And that’s the thing, it’s all so familiar, this devastation, this savagery and fear. I know this. Sudden loss, a widow and a single parent overnight, I’ve got form. I know isolation.
Yet maybe my mental meandering is just another tool in my kit of coping, it’s a big kit now, heavy, but it serves me well. So, I bring it back down to the personal, to the individual, to the story I know inside out. I look from my window to the quiet streets and feel the ripples of people disorientated, lost, grappling for something to rely on. But where does it leave me? My tiny world, the universe inside me, my loss and fears like the fronds of a fern, are mirrored now, mapped out and scaled up to the global suffering, like the stardust arms of our Milky Way, holding us tight as we cry. Swirls within swirls, tears merging, the individual and the whole, our private pains all part of each other’s. In our anguish and separation, we are never more together.
As I look out of my window, the birdsong seems louder against the quiet streets, the planet readjusting and my letterbox clatters, an unseen hand has touched my post, a stranger in shorts with his bag strapped around him, doing essential work, keeping things ticking. In the almost silence I feel the planet buzzing, the nurses, doctors, trained and strained, working to exhaustion, flooded with compassion but unprepared for this, the community carers, sustaining the elderly, my elderly, my parents supported by others. And the grieving, the unseen, rocking in pain and each digit in the daily statistics is someone’s universe imploding.
And when my newsfeed became too much, I found myself curling inwards, down and out. My window of tolerance had been reached so I went far away. I took myself off and hid out in Gordon Ramsey’s kitchen. I learned knife skills and in my slicing of scallions and on the perfect plates of his pomme purée, I calmed down. It was a safe place, away from the media and their terror machine, away from the soaring death count. And I rested for a while but then returned.
It’s true to say that ‘critical thinking without hope is cynicism and hope without critical thinking is naïveté.[ii] so I raised my head above the parapet and peered back out in search of balance. I’d realised my quixotic railing at the Government’s windmills wouldn’t help me, neither would wishing for utopian ideals when we come out on the other side.
So then came the search to normalise, now as back then, I scour and plunder, I seek out information on how we might get through this. In widowhood, my coffee table became piled high with teetering tomes of those who’d broken before me, self-care and guidance, spiritual comfort, woo-woo weirdness and scientific rigour of the facts. I’d consume and devour anything that gave me a grip or a foothold in my perilous new world. And now I feel a similar pattern. I’m gathering pandemics on my pc’s open tabs; I’m leaning into the past to see what lies ahead. The trouble is, it’s just a guide, it’s a consideration of what went before. Like my stack of grief books, they could only hint, they didn’t map my journey, it was mine alone. They might have signposted features of the landscape but my terrain, like everyone’s, is unique, and this pandemic, while resembling the maths and graphs of those before, is still unknown. No amount of planning can prepare you for the event when it finally hits. Like pre-grieving ahead of the inevitable, it’s pragmatic, a dry run in its own way but when it’s real, then all bets are off. I see it now in the Government’s scurrying, scrabbling for resources not purchased in time, in how we turn to think-tanks for the answers, and though they might have prepped and planned, they’re still fallible. They fail. So, flexibility from the model is essential, hindsight, as everyone accepts, is a glorious thing. But if all these decisions were mine, what would I have done?
So, I travel back to the plague, in the middle ages where quarantines began, where ships were anchored outside the coastal cities, waiting forty days before the sailors could set foot on land. In the 14th century trade and colonization already linked countries, passing wares and sickness around the globe.
And onward to 1918 where the Spanish flu found troops cramped and cooped, dreaming of home, the waves slopping and slapping up the sides, no chance for social distancing as they lay close, and the virus travelled around the globe in months but now with our much smaller world we can share our germs in hours.
But good must come from these dark days now, it will find a way, like the beautiful boulevards, designed and built after cholera, after the open sewers of Paris were purged and swept away.
Still, I have to rail in my Pollyanna[iii] tendency, but it’s as rife as Covid19 itself. It’s our expertise we need to pass around now with the R&D teams across the continents working on a vaccine to protect us all. It’s a chance to share our goals, an opportunity to act for the common good.
I look from my window and watch as the most beautiful of days begins, as a springtime sun shines down on us, on those waking up crippled by grief under its rays, staff crushed by the sights in the hospitals, the tipping point of people doing their best against nature at its worst. But as the day promises to heat up, the sky turns to a mothering blue, a swaddling in gentle heat, as if to soothe, as if to hush us in our trembling.
Sometimes I think of springtime in Belsen, of blossom falling outside the camps, coating the ground like soft fallen kisses and, whether for a second, for a heartbeat or two, the sun would lift their eyes to the skies, would lift their spirits for a moment.
And we are linked, inextricably, we are one person, suffering, then as now, their pain, is our pain and through this ravaging, hope remains as prevalent as the virus, but its curve will never flatten out. Awareness of our fragility is laced with resilience and a need to find meaning in our vulnerable lives. In ‘The Revolution of Hope: Toward a Humanized Technology’ Erich Fromm reminds us to ‘find a frame of reference…to escape the experience of utter helplessness, disorientation and up-rootedness.’ but that ‘only through full awareness of the danger to life can our potential be mobilized for action, capable of bringing about drastic changes in our way of organizing our society.’[iv]
And so, the day heats up and we remember when we were free to run, splashing into the surf, giggling in the arms of others, chattering in cafes, pub gardens filled with noise and clatter. And under this savagery, in this necessary pausing we see the minutia of our lives, the reality that we had everything all along. On our shuddering planet, through this global bereavement, it feels as though we took our previous world for-granted, not because it didn’t matter but because we never could conceive of it being torn away.
As people plan to pop out in the sun, to experience its rays in their gardens, in a small way, without a boot full of beach balls and towels, as our appreciation and gratitude for the tiny things grows alongside the death toll, I find it so familiar.
I know this place, this smallness, revelling in the human moments, recalling the heartfelt hug of a friend, the sun stroking the side of your face, a shared joke or being held as the pain raged up through you. It was always about the individual acts of connection, the unseen intricate web of us all. I feel it as I stand by my front door in the cool of Thursday evenings, as I clap and tears roll in the comfort of strangers, in the solidarity, on our socially distanced doorsteps of home.
Human spirit, above all other considerations is the way, to lift up, despite Covid19, and because of it. It’s that bond between the individual and the universal, the threads that bind us tight through the centuries. As humans we have immense capacity for lifting each other up, while we hide away, ‘self-islanding.’[v]
The dissonance between the joy of springtime sun and the realities of the bleakness in the wards seems to underline our fragility, our fleeting space against the force of nature. I remember walking home in sunshine in the first spring since my loss, and how I objected to its glare and the chiffon people all around me while I tried to drag my granite form back home. It seemed improbable that the sun could shine and now, on these blossoms filled days it seems to tease, to remind us of when we lived without the fear of now. But outside my window trees are turning sap green in hope, and every bud is a reminder that this will pass, and something else will come. Leaves will stretch out and each one seems to wave to me while I sit inside, saying wait a while, just stop, hold tight and hold on.
I remember speaking with my counsellor, in the early months, in the dense fog of sudden bereavement. I told her that that I could not move, I had ceased to have any forward motion and from the point of view of the outside world, I was stationary. I told her of the Taoist principle of Wu Wei,[vi] creating action through in-action and of the uncarved block, of something left to its natural state. She didn’t seem to comprehend my stillness and why I felt comfort in the stopping. She referred to herself as a Bereavement Visitor, and she perched on the edge of my silent sofa, in her coordinated colours and oversized wooden beads, peering into her small diary at the end of every session. When she asked ‘would you like to see me again?’ I always answered ‘yes,’ despite our occasional breaches and misses, where our world view had collided. But she insisted that I had been active and so I let it ride, I let it go. One of those moments, so frequent, when someone said or did something that jarred, words that screwed me up on the inside, but I learned to let them pass. I knew in my stillness, in my isolation from the churning world outside, that in my pausing I would regain, I would catch my breath against the tumult of emotions.
And I am reminded of Wu Wei now in our global stillness, while the virus rips though towns. This pausing, like trees in dormant winter, appearing to be static, waiting, biding their time until it’s safe to reveal themselves again. Like the split second of stillness between an in and an out breath, and the fact that silence ‘remains, inescapably, a form of speech and an element of dialogue.’[vii] This enforced opportunity for hush is dialectic, relational to our culture of incessant noise.
But we’re not too good at waiting right now, yet ‘waiting isn’t an in-between time’[viii] although it feels like it, in these instant-add to basket-on demand days. We like prompt resolution, immediate answers, on double speed YouTube vids because we don’t have time. But now time is all we do have, waiting for a vaccine, waiting for isolation to end, for permission to run free again but as Wordsworth states, sometimes solitude can be gracious.
‘When from our better selves we have too long been parted by the hurrying world.’[ix] Like the structure of Hindu temples a progression of rooms reducing in size until the smallest with the statue, a communion, an essential stripping away of all distraction. And so, we come face to face with ourselves, highlighting our work-in -progress from which we try to hide. It is with hope like a glisk[x] that ‘we must pass through solitude and difficulty, isolation and silence in order to reach forth into the enchanted place.’[xi]
But it’s that sense of impotence against it all, now as then. So, it’s back to baby steps, the phrase used liberally by the widowed community, a mantra which we pass around between ourselves when reality becomes too much. That’s all we can do. So, we’re indoors and we have food and Wi-Fi and that’s enough. I’m powerless against the chaos and carnage in the hospitals, I can clap but I can’t fund the shattered staff.
There’s a sense of being at war with this microscopic enemy, unseen but ever-present behind our daily life. I think about my parents, children in WW2, air raid shelters in the back yard, sitting out with flash lights waiting for the all clear from the bombs. I imagine they must have grown accustomed to that on-amber feeling, as I have done. My familiar foes of hyper vigilance and anxiety are often lying in wait for me, skilled assailants in the art of ambush.
And I think of my grandfather and the assailants in his world. He was a caster, a miner, in the unrelenting harshness of his days. As a young man in his teens he fought in WW1, but he never spoke about his time as a prisoner, the images from the Japanese camps were locked away inside him, while he raised a family, toiled the allotments, providing daily veg for his three girls. And I think of my grandfather with his voiceless memories, his calloused hands planting sweet-pea seeds, bringing beautiful blooms back to their two-up two-down terraced house. It’s these moments of value, of joy amongst the suffering that resonate and call out now.
Before the pandemic separated us all, a good friend gave me sweet-pea seeds. I was never much of a gardener but I will plant these out soon like my grandfather did, and remember the resilience in my genes, our careful contouring[xii] and our inherent pull to hope. I will feel gratitude for these moments of stillness, this enforced retreat from the speed of our world, a chance to reconsider how I live.
But I can consider this from my sofa, and we have Netflix, we have food in our first world cell. And I think of others in Brazilian slums, huddled under cardboard and tin, families living on top of each other, with no gardens to watch the birds, no space, no sanitation, no antibacterial wash to clean their hands. Yet I’m reminded of our alikeness, that they’re just different versions of me and our son, people like us but clutching cups of water instead of scrolling on iPhones.
As Marcus Aurelius points out, ‘it has long been shown that we are born for community’[xiii] so evident now in the swathes of people signing up to be volunteers, reaching out to strangers, groups of helpers springing up like the trees coming into bud.
And there’s something calming in the understanding that we’re all the same. In this illusion of separateness, from slums to sidewalks, refugee camps to condos, my grandfather’s tiny terrace to our home, we are all linked.
I know this place, this waiting, this sense of homesickness while still at home. That familiar searching for a feeling of safety that you get when you close the front door. But you close the front door and the feelings are still there, that marrow deep yearning for it to be a different world. And as we creep into another week by ourselves I remember counting back then, in bereavement’s bleak beginning. I used to note the tiles in the splash back behind my oven. There are twelve of them. I used to count the days, then tiles turned to weeks and months, stood stirring something, noting how my metric had changed and the tiles which represented so many hours, then marked out many weeks. Now I’m still marking time, a prisoner in my mind, ticking up not down.
I hope we’re not still here in many weeks, I hope enough has changed but now, as then, a new normal will emerge. I’m so used to waiting, to just being, and the solidarity with the unseen, the philoxenia,[xiv]a balm to our wounds in the kindness of strangers. Hour at a time, minute by minute, stepping with care into our changed reality and whatever lies beyond.
The blossom waves to me from outside my window, so joyous, ‘all froth and flutter, like swathes of taffeta’[xv]around a bride. The birdsong bookends our days and they sing out, emphatic. I wonder what they’re saying? They’ve seen it all before, maybe they’re trying to tell us that we’ll be ok?
Despite our hiraeth[xvi]we gather strength, we come up with a new plan. We have hope. Always. And we thole on.[xvii]
‘Waiting isn’t a hurdle keeping us from intimacy and from living our lives to the fullest. Instead, waiting is essential to how we connect as humans in the messages we send. Waiting shapes our social lives in many ways, and waiting is something that can benefit us. Waiting can be fruitful.’
[ix] Storr, A. Solitude 1997 (Harper Collins, London) p202
[x] Macfarlane, Robert (RobGMacfarlane) Word of the Day: “glisk” -sunlight glimpsed through a break in the clouds, a fleeting glance at a glittering sight, a brief glow of warmth from fire that’s burned low, a sudden flash of hope in the heart. (Scots) 06/04/2020 07:00. Tweet
[xii] Macfarlane, Robert (RobGMacfarlane) Word of the Day: “contouring” – when traversing steep or unsure ground, picking a path that holds its height.
On the hill, as in life, a means of staying steady, of keeping level even when the going is rough, the world falling away to one side or the other. 05/04/2020 07:00. Tweet
[xiii] Aurelius, M. Meditations 2006, (Penguin Random House, London, UK) p41
[xiv] Macfarlane, Robert (RobGMacfarlane) Word of the Day: “philoxenia” – lit. ‘friendship to/love of strangers’ (Greek Φίλοξενϊά). Kindness shown to people unknown; hands opened in care to those in need; tenderness offered across time & space. An ancient virtue for modern times. 08/04/2020 07:00. Tweet
‘To feel hiraeth is to feel a deep incompleteness and to recognise it as familiar. Mae hiraeth arna amdanot ti. There’s a homesickness on me for you.’
Accessed 19/04/2020
[xvii] Macfarlane, Robert (RobGMacfarlane) ‘Word of the Day: “thole”- as a noun, the ability to bear hardship. As a verb, to endure patiently, to slog through tough times; “to thole on” (Scots). 16/04/2020 07:00. Tweet
It’s very endings out there, very closings and while I’m tucked up warm inside I can feel the weight of people rushing and stressing but it’s not for me. I am a winter baby and how many times in this work will I have mentioned this and how many times do I stop and feel thankful for this fact?
There is a resonance with my cycles and with the seasons and now, pivoting at the end of a decade, I feel full. I’m ready to wear monochrome clothes, to mirror the weathering and huddle down to wait for spring. But spring is a distant concept as we shuffle forwards towards Christmas.
I’m so lost in number right now, so imbued with the elegance of maths and it comes from our boy. Our boy, the man on the train in this winter’s morning, heading out to where derivatives lie and he takes the integral between zero and infinity because he can, as it flows out from him like a song, like a melody that he has written in his sleep. But I can’t sing. I clunk and chug with number but I am drawn into it like a child, nose squashed up against the toy shop window, hot cheeks against the ice and deep inside, the toy maker carves his wonders. And I want to hold them, I want to be allowed inside to rummage and explore. I want to build and construct, to play with the forms in front of me but I can’t, not yet. I am outside the Toy Shop of Number but the door is open and a rounded man in red invites me in.
I can do fractions now, I am learning and it’s very Me, very let’s take on something I don’t understand, like grief. Of course after a decade, well almost, of learning to breathe as a widow, my knowledge is deep, my enforced wisdom cocoons me and I know enough.
But I’m a little too full to be honest as I try to tease out the threads of this work, as I stumble around my mixed metaphors but it’s alright, it’s now and I send an out breath into my quiet kitchen and up and out with the steam in the frost. I feel myself tiptoe to the summit of some vast mountain and I want to peer over the edge, I want to look behind me and see the footsteps we took to get here, crevices hacked into the snow, and how my hands ache from the cold, how they bleed into the ground, forming pink rivulets of ribbons marking out my path and here we are.
At the edge, on the top, with the decade behind us, teetering with just mist and unknown lands beyond our sight.
I sit down on the mountain and let the iced air trace its way down through my throat, my windpipe, to my lungs and feel its chill.Out in the mist, our boy melts the snow beneath him, uses equipment I don’t understand, to heave, then stride along and I can breathe. My breath dances out before me, rippled and white like a veil of grief that leads the way, that spirals up and out, dissolving in the chaos of sunlight as I sit here. And then the next breath and the veil rises and floats, expands and disperses and I’m so used to this.
I imagine my struggle is between the rigour and logic of number, of its construct that underpins our world and the magic of its revealed beauty. And we count down, sleeps to Christmas, then days to the End of the Year and the media throbs with the lists and reviews, scooping itself up in a riot of memory, highlighting how we’ve aged and how we’ve changed.
As we opened ourselves up to the new decade back then, we were safer, more certain of our worlds or were we just too immersed in our smallness to see the unfolding news? I suppose that’s my learning, and how linear everything was back then, how holidays were planned ahead and there was expectation and prediction but we didn’t predict widowhood – well you wouldn’t. And then thirteen months into the decade, linear graphing ceased.
There were no formulas to map the areas under the waves which my life created, no way to simplify the expressions, to substitute out the difficult parts and craft a solution to its integral. There was nothing to be manipulated or calculated, there was just the number 2. Me and our boy.
And then time happened and then clocks just did their thing and that’s the problem. It’s all number-ticking-number, hours and months and years. I acknowledge it, I roll into it but sit outside and watch. Watch the chaos in the country, the Westminster circus, the pantomime in Europe, the unfolding uncertainty swaddling an aging planet, a turning solar system and then there’s us.
Me and our boy on a mountain top in the snow, in the coldest of days looking out. He carves calculus into the white with a big stick that he’s found while I photograph the icicles in a world tuned upside. And this is our mountain and we have climbed it.
And here in my one hundredth post I count in moments, in the abyss, in the joy. One hundred times I’ve sat and tapped and poured my mind out, and ten years we have travelled. And 9 of them we have survived and inched in grief.
It’s only number, it’s only time.
I need to stand up again and brush the snow from my cold legs. The sun warms us, melts the impacted white as we trudge on. Fur tickles my face, photons glint on our cheeks. The mother, the writer, the boy, the mathematician. Birds circle, sing above us. Numbers change and we go on.
PS
December 31st 2019
This time last year we were in Hamburg, a re-imagined city, a Phoenix like ourselves, built on the remnants of how it used to be and we had sailed.
We’d sailed out on the same ship that held us close on our first journey, in the fractured chaos chronicled by my first post. And last year I took a book with me, Mary Wollstonecraft’s – Letters Written in Denmark, Norway and Sweden and she travelled with her baby as I travel with our son.
And now one year later as our boy welcomes in a new decade with his mates, I write through the silence, miles from our fireworks over Hamburg and I look back.
December 31st 2018
‘But eleven days of weariness on board … have so exhausted my spirits to say nothing of other causes’ she begins and dear Mary tells me she ‘adheres to determination to give observations, as I travel through new scenes,warmed with the impressions they have made on me’ and I breathe. I am in good company.
Her words take me back to the start of my writing and in my first post, in fog I wrote. ‘Eleven years ago I could not walk, an unstable pelvis hampered my plans for a natural birth’ and there I sat and wrote on this ship, on THIS SHIP, in my younger pain -worn body and I was there in my unstable world of widowhood with our ten year old boy at my side.
And you see why I am full. Seven years and three months have past in this unpredictable land and we are here again. Noting the structure, the shape of the rooms and whilst Mary has her baby with her, I have my baby, grown. Our tiny boy with the luggage he’s learned to carry is now 18, a young man by my side, with his father’s eyes and we weave down long corridors, we sway but hold onto the sides.
How can this be? These cabins are the same, refurbished decor but the mirror surrounds reflect a solid me, a stoical me, a me that has soldiered on, like I always did, like I do and just beneath the reflection I remember her face, hair thicker and longer than now, features on the edge of what he knew. She ripples past me like the lyrics of a favourite song, like a passing wave and then gone. Here – gone. There – gone, bobbing, remaining, twirling around me and she calls out to me, pleads to me with her eyes, with her out stretched hands.
‘But how do I live? How do I do this?’
And I say ‘hush, hush now and just breathe. Hold tight and hold on.’
The glass in the sink is full, the tap drips shaking the surface tension of the water as it rocks. It seems to say I’m here. Thevenetian blinds shatter and reform,shatter and rebuild and they’re the only movement. The sounds change as the drop hits the surface,sometimes a ding, sometimes atinkand I seem the be the water. Still and smooth,then ruffled,then agitated,then quiet, settled. And this how it is. I am contained in the glass for now.
And next to the sink is my tomato plant, I’ve watered it well over these last few weeks and how it’s grown. How tall and willowed it seems now. In recent days I’ve thought how it’d outgrown its pot, and every day I thoughtI must re–pot it, give it more room to spread. But there was always something else to do and so it remained in the pot that the seeds had been planted in.
But it still grew. It’s too tall now to keep indoors and I can almost hear it calling outre-pot me, please re-pot meand I almost did last night. But not quite. This morning though,the day and the weather is perfect.
This morning the grey weight of clouds bandages our town like a sense of a mother in the background of it all, at a distance, keeping watch. And I will re–pot the tomato plant today as our boy makes his way to his last exam before the summer unfolds for him, before his sky opens wide and turns to blue, before autumn expandshis horizon. And he will stretch out long and tall and wide, his roots anchored deep in familiar soil but there will be such space, a new pot, vast with potential, rich with extra compost around his wriggling feet and he will spread.
I need to re–pot my tomato plant today. The window is open. The vague breeze trembles its young leaves, as if to say hello to me, as if to summon me to the soil. It needs a bigger pot and then its steady solid growth will burst up and out and it will flourish and later there will be fruit, soft, round and full of sweetness on our plates.
And we will be nourished by the things we’ve grown. The things tended and cared for and how glorious to watch fruit ripen in the sun, roots secure and leaves and new shoots reaching up.
The tap still drips into my glass, its tiny tinkling sound repeats, as if a steady clock still markstime. And clouds drift, and things grow. A silent bee on foxgloves nuzzles into pollen. The day wakes up.
My glass is so fullnow, I’ll use it to water the tomato plant, to settle it into new soil. It’s early. Our town is quiet, our boy is ready, he picks up his graphical calculator asIopen the drawer to my left.
I pull on my gardening gloves and step out onto the patio.We need a bigger pot.
It was bitter in Paris, the wind sliced across our faces like a knife but it was Easter, an adventure,of sorts and everything was giddy, new.
I’d stared through the window watching thepropelleron my first ever flight, as though I alone kept the plane in the air, as though sitting by my fiancé and opposite the air hostess, my only job was to control the wings.
It wastwenty-oneyears ago, our second holiday and it sparkled and danced like the lights across the Seine.
Despitetrawlingaround Tourist Information Centres on a heaving Easter weekend, we were ok. Despite our desperation for an upgrade from the dilapidated B&Bandthehaulingofour luggage downthe ruesand boulevardsto the new one that wefound,we were still fine. And ushered to a cramped room by a spherical hotelier who beamed and pointed to the spiral stairs to breakfast, we settled in. Carefree with croissants and we unpacked.
We ticked offattractions like you do when you’reinvincible and the icy wind didn’t bother us. It took pieces out of usthough, as we crossedthe squareto Notre Dame andbattered us as westood with everyone else,waitingfor the warmth of her arms.
And we shuffled and we inched. In the darkness and smell of ancient wood I lost myself. I remembered the floorinthat sacred silence,the airthat hummed and buzzed with rustling tourists, I remembered the thick smell of dust and sweat and little more. Wrapped up inOurLady Iwas takenill, I was helped to sit down somewhere away from the crowds and I saw feet, lots of them,theshoes of my fiancé and those of astrange womanwhose namewe never knew.
And this morning while ash settles in the streets there, while people lift up their eyes to view the savage route of flames,I think of the lady who came to help us. And she’s amemory of a warm patterned skirt,oranges,yellows and browns, swirls and circles like flames around her feet.She sat while I regained myself, called us a taxiand stayed with us untilit came. I never saw her face but had a sense of her on my left, she wished us well for our marriage,blessed us withhealthy children and was gone.
And I think of our lady today, I wonder where she isin this moment, if she thinks ofNotreDame and thecouplewhoshe helped years ago. Does she remember the young women, who only saw the stone floor of theCathedral but whoistied to itnow,somehow. There inParis, in the coldest ofEasters, the ancient monument became a gatekeeper to their life.
The light falls over theplace where the Spire had been, and deep inside there is the echo of a woman sitting.And she will be rebuilt and carry on.
PostScript
April 17th
We married one year later and as I wake to thick fog, it engulfs my town, my road, mymind, likethe smoke engulfed the Spire and I am tumbling downinto the structure, cascading in the edifice,sparks and flames mix withblossom, withconfetti.They float aroundme,glorious,transient, burning up in the atmosphere of the day, in the flickerings, the fleeting gasps of time.
Twenty springs have passed, twenty bursts of blossom and it is full now, resplendent, magnificent. It swishes around in my peripheral vision like swathes of ivory taffeta, like a girl. And it will age, fall and flutter to the ground,to become part of the soil that feeds the tree.Until next year and she will be back to bloom again.
Time itself, our companion on the journey, folded into Parisian rubble and the strength to rebuild, striving, resilient, fragrant with hope.
I watch a bird move andit’sserendipity,of sorts. I watch it fly throughthetrees I can’treachand cloudsI’drather clamber on,but Icannot.I am still again.
And when I got up in the night,in thethick blacknessoffour o’clock,I heard a bird. In thenight thatalmostdreamtof morning,I heard a bird. It chirruped throughmy open bathroom window in the black. I couldn’t listen. How removed it seemed from any sensibilities,howit almost ridiculed me, to be singing in the night.To find joywithout the dawn but still it sang.
It sang from instinct,I imagine,from aninbuilturge to fly. And wings that beat need food and food comes with thedawn. Daylightwill come soon.It had certainty, it knew and I knowtoo,although I couldn’t singthen.I had no wings atfourin the morning,no sense ofmovement andlittle now.
Still the night has shiftedsince, gone elsewhere and here after the sun’s heathasbled fierce into the clouds,the day hassettled.Soft grey bandages and streaks of silver sit in silent observation. A bird cuts through, driven,focussed andI goaroundagain. Round and around and around again. Still and movement,still and movement,like the wheels pushed by pedals that pass my windownow, like the heartbeat of the bird who craves the food. Relentless on,on,onthenstopping, resting like the plants that sleep outside.
My garden is quiet,like me, tattered by winter andtime. Leavesrestlatein theirstumbledpileswhere Ihadbrushed them.They mulch down tosuchahaven,a treasureto rustle and pokeabout witheager beaks and I will watch.
Still garden. Silent tired andwaiting.Some things pop up, new shoots, pale green with its energy dormant like mine and I can see them. Amongst the weeds and things push up,there are moments,flashes of the garden I used to know. Branches clamber round me,hold me steady as I sway and thorns pierce deep,bloodlettingin winter,ontomy soil,into my earth,like it has always been. I watch thecuts,they scratch across myarms,white in the cold,thin in the winds and lines draw red. And here’s my garden,concrete waiting,collecting mossand here’s my pond that will burble and thrive.
But not now. Now it is February, now it holds me as I wait, tiptoeing throughweeds and old growth, roots that twist back up throughearth.This is my land now. I tend the old plants, prunethem,hold and study themin my hand. How familiar theyare,yethow startling. Sobrittle,yet strong in mygaze.
And my hands will feed them,tend to their growth spurts when they come and they will,and they do. Tangled weavings all around me,bracken andthickets of spikes,tendrilsthatpull onto my legs andI flumpdown. I findmorethorns, they cut into me and I watch in the cold as bright blood forms small spheres onwhite skin. I pat the woundandsmear out red, thenclean itwell.The air stings across theopen flesh but I’m used to tending to the pain. I dab it dry, look after it and bandage it safe till next time.
I sit in my gardennow, cold stillness of winter, bulbs nestling in thedarkness,full of verve. I watertheold things–I serve them well.Shoots bob up, green spears through the black hume, it won’t be long.And it is February,I’mstill, I’mwinter butspring will comeagainand I will grow. For others it’s only February but for me, I turn to stone.
Early December 2019 – Hard Frost.
The Tao of Grief 